Page 36 - Tropic Magazine Issue 18
P. 36

TROPIC  •  COVER STORY





























           the Government and while a scaled-
           back program was held that year,
           CIAF returned with a bang in 2014
           and has continued to develop and
           thrive ever since. “CIAF 2014 was the
           first Art Fair delivered by CIAF Ltd
           and the event has generated strong
           creative and economic outcomes, both
           locally and nationally, with more than
           280,000 people having participated
           in or attended CIAF over the last nine
           years,” Ms Gillen said. “More than $6.8
           million in Queensland Indigenous art
           has been sold.”
           In this, the event’s tenth year, it’s grown
           to an impressive, jam-packed five day
           program featuring art, fashion, live                           Meriam Mir Choir, Victor Steffensen
           music, dance, comedy and workshops.
           “Having the opportunity to immerse
           yourself in one event and view the
           art, hear music, see traditional and
           contemporary dance, experience locally
           made food and learn through hands-on
           workshops with artists is a one-stop   Q&A
           shop of cultural immersion for our   Daisy Hamlot
           visitors,” Ms Gillen said.
                                              Hopevale artist
           HONOURING ARTISTS                  What prompted you to start painting when you were in your seventies?
                                              I was sitting around at the art centre and just started to do painting and
           Organisers are also honouring the   before I started doing my dogs, I was painting all sorts of different things -
           artists who were there from the start,   like you know – trees, flowers and landscapes. I enjoyed what I was doing and
           with a key satellite exhibition at   then I started painting my dogs in around 2013 – that was before they became
           Tanks Art Centre featuring founding   famous.
           patron Thancoupie Gloria Fletcher
           AO. “The exhibition highlights     Where does the interest in this subject matter come from?
           Thancoupie’s artistic periods,     The dog is my totem. The dingo. That’s my totem, that is why I am doing it. I
           revealing her remarkable prowess and   have done dogs fighting and giving them pups, having their milk, different
           enduring inspiration,” Ms Harding   dogs doing different things.
           said. “We acknowledge that many of
           Queensland First Peoples’ artists have   You are also a musician; do you find there are similarities between your
           made a significant contribution to the   music making and your painting practices?
           art fair over this period, with works   When there is a concert on I get up and have a sing with my sister and the rest
           created, acquired and exhibited by   of the band. I have always done that. I like what I sing. I taught my sister Dora
           major cultural institutions across the   to play the guitar. I play the guitar – but not very often these days. When I was
           nation.”                           younger I played a lot. I enjoy both painting and singing equally.



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